{"version":"1.0","provider_name":"Filmtopia","provider_url":"https:\/\/filmtopia.net\/es\/","author_name":"aleix","author_url":"https:\/\/filmtopia.net\/es\/author\/aleix\/","title":"Cr\u00edtica: Jone, a veces: Miro a mi alrededor y me siento viva","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"20d7tvLjxA\"><a href=\"https:\/\/filmtopia.net\/es\/critica-jone-a-veces\/\">Jone, a veces: Miro a mi alrededor y me siento viva<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmtopia.net\/es\/critica-jone-a-veces\/embed\/#?secret=20d7tvLjxA\" width=\"600\" height=\"338\" title=\"\u00abJone, a veces: Miro a mi alrededor y me siento viva\u00bb \u2014 Filmtopia\" data-secret=\"20d7tvLjxA\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/filmtopia.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/09\/JONE-A2A3A4-cast-v2.jpg","thumbnail_width":1414,"thumbnail_height":2000,"description":"La \u00f3pera prima de la cineasta Sara Fantova se adentra en las celebraciones de \u2018Aste Nagusia\u2019, La Semana Grande de Bilbao, para filmar el crecimiento vital de Jone. Alz\u00e1ndose con el Premio Dama Agust\u00ed Villaronga a la mejor pel\u00edcula nacional en la quinceava edici\u00f3n del Atl\u00e0ntida Mallorca Film Fest, este coming of age recoge el conflicto de la joven con su rol de cuidadora ante la enfermedad degenerativa de su padre, a la vez que navega unos d\u00edas de celebraci\u00f3n, v\u00ednculos fugaces y puesta en valor de las amistades."}