{"version":"1.0","provider_name":"Filmtopia","provider_url":"https:\/\/filmtopia.net\/es\/","author_name":"aleix","author_url":"https:\/\/filmtopia.net\/es\/author\/aleix\/","title":"Cr\u00edtica: La hermanastra fea: La belleza erosiona la corporeidad","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"7RmH5VkX55\"><a href=\"https:\/\/filmtopia.net\/es\/critica-la-hermanastra-fea\/\">La hermanastra fea: La belleza erosiona la corporeidad<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmtopia.net\/es\/critica-la-hermanastra-fea\/embed\/#?secret=7RmH5VkX55\" width=\"600\" height=\"338\" title=\"\u00abLa hermanastra fea: La belleza erosiona la corporeidad\u00bb \u2014 Filmtopia\" data-secret=\"7RmH5VkX55\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/filmtopia.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/10\/CARTEL-LA-HERMANASTRA-FEA-SPA-70X100CM-FINAL-210x300.jpg","thumbnail_width":600,"thumbnail_height":858,"description":"La \u00f3pera prima de la cineasta noruega Emilie Kristine Blichfeldt se alz\u00f3 con el premio a mejor pel\u00edcula en la \u00faltima edici\u00f3n del Festival de Sitges. Una reimaginaci\u00f3n \u2018body horror\u2019 del cuento cl\u00e1sico de \u2018Cenicienta\u2019 incide en los est\u00e1ndares de belleza femeninos, el paradigma social que encorseta y limita a las mujeres, y la responsabilidad de las mismas ante la perpetuaci\u00f3n de la violencia patriarcal."}