{"version":"1.0","provider_name":"Filmtopia","provider_url":"https:\/\/filmtopia.net\/es\/","author_name":"aleix","author_url":"https:\/\/filmtopia.net\/es\/author\/aleix\/","title":"Cr\u00edtica: Olivia y el terremoto invisible: Un hito hist\u00f3rico para la animaci\u00f3n en nuestro pa\u00eds","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"8tNaElSUjn\"><a href=\"https:\/\/filmtopia.net\/es\/critica-lolivia-terratremol\/\">Olivia y el terremoto invisible: Un hito hist\u00f3rico para la animaci\u00f3n en nuestro pa\u00eds<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmtopia.net\/es\/critica-lolivia-terratremol\/embed\/#?secret=8tNaElSUjn\" width=\"600\" height=\"338\" title=\"\u00abOlivia y el terremoto invisible: Un hito hist\u00f3rico para la animaci\u00f3n en nuestro pa\u00eds\u00bb \u2014 Filmtopia\" data-secret=\"8tNaElSUjn\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/filmtopia.net\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/11\/OLI_poster-ver_CAT_high-211x300.jpg","thumbnail_width":600,"thumbnail_height":853,"description":"El largometraje en \u2018stop motion\u2019 de Irene Iborra Rizo aborda la violencia de los desahucios desde la perspectiva de la adolescente del t\u00edtulo, en un filme para toda la familia que destaca por su tratamiento frontal pero, al mismo tiempo, esperanzador de este tema."}