{"version":"1.0","provider_name":"Filmtopia","provider_url":"https:\/\/filmtopia.net\/es\/","author_name":"aleix","author_url":"https:\/\/filmtopia.net\/es\/author\/aleix\/","title":"Cr\u00edtica: Los domingos: \u00c1ngeles y demonios","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"OiydMokSTp\"><a href=\"https:\/\/filmtopia.net\/es\/critica-los-domingos\/\">Los domingos: \u00c1ngeles y demonios<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmtopia.net\/es\/critica-los-domingos\/embed\/#?secret=OiydMokSTp\" width=\"600\" height=\"338\" title=\"\u00abLos domingos: \u00c1ngeles y demonios\u00bb \u2014 Filmtopia\" data-secret=\"OiydMokSTp\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/filmtopia.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/10\/los-domingos-cartel-v-estreno-scaled-1-210x300.jpg","thumbnail_width":600,"thumbnail_height":855,"description":"Con \u2018Los domingos\u2019, su tercer largometraje, la cineasta vasca Alauda Ruiz de Az\u00faa se ha convertido en la segunda directora espa\u00f1ola en ganar la Concha de Oro en el Festival de San Sebasti\u00e1n, despu\u00e9s de que Jaione Camborda la consiguiera en 2023 con \u2018O corno\u2019. Y lo ha hecho con un film desconcertante, inc\u00f3modo y abierto a m\u00faltiples interpretaciones, sobre una adolescente que provoca un cataclismo familiar al expresar su deseo de convertirse en monja de clausura, y que supone un paso de gigante en la trayectoria de la directora."}