{"version":"1.0","provider_name":"Filmtopia","provider_url":"https:\/\/filmtopia.net\/es\/","author_name":"aleix","author_url":"https:\/\/filmtopia.net\/es\/author\/aleix\/","title":"Cr\u00edtica: The Mastermind: Atraco imperfecto","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"3o9ZZN8l6G\"><a href=\"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/\">The Mastermind: Atraco imperfecto<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/embed\/#?secret=3o9ZZN8l6G\" width=\"600\" height=\"338\" title=\"\u00abThe Mastermind: Atraco imperfecto\u00bb \u2014 Filmtopia\" data-secret=\"3o9ZZN8l6G\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/filmtopia.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/10\/THE_MASTERMIND_OS_ES-ES_Oct31-203x300.jpg","thumbnail_width":600,"thumbnail_height":889,"description":"Las admiradoras de la norteamericana Kelly Reichardt (First Cow, Certain Women), una de las cineastas m\u00e1s importantes de las \u00faltimas tres d\u00e9cadas, estamos de enhorabuena. Su anterior pel\u00edcula, \u2018Showing Up\u2019 (2022), no se estren\u00f3 en Espa\u00f1a, pero \u2018The Mastermind\u2019, una antipel\u00edcula de robos ambientada en la d\u00e9cada de los setenta e interpretada por el omnipresente Josh O\u2019Connor, se estrena esta semana tras competir en la secci\u00f3n oficial del pasado Festival de Cannes."}