{"version":"1.0","provider_name":"Filmtopia","provider_url":"https:\/\/filmtopia.net\/es\/","author_name":"aleix","author_url":"https:\/\/filmtopia.net\/es\/author\/aleix\/","title":"D\u2019A 2025: Las cineastas de nuestro tiempo","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"udVNBs7mtb\"><a href=\"https:\/\/filmtopia.net\/es\/da-2025-cineastas\/\">Las cineastas de nuestro tiempo<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmtopia.net\/es\/da-2025-cineastas\/embed\/#?secret=udVNBs7mtb\" width=\"600\" height=\"338\" title=\"\u00abLas cineastas de nuestro tiempo\u00bb \u2014 Filmtopia\" data-secret=\"udVNBs7mtb\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/filmtopia.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/03\/RAD_TOXIC_foto1_credits_Akis_Bado.jpg","thumbnail_width":1620,"thumbnail_height":1080,"description":"El D\u2019A Film Festival Barcelona clausur\u00f3 su decimoquinta edici\u00f3n el pasado fin de semana. En esta \u00faltima cr\u00f3nica, repasamos algunos de los t\u00edtulos m\u00e1s significativos de la segunda mitad del festival, entre los que destacan las \u00faltimas obras de cineastas tan prestigiosas como Alice Rohrwacher o Dea Kulumbegashvili, y poderosas \u00f3peras primas o segundas pel\u00edculas de cineastas a tener muy en cuenta, como \u2018Toxic\u2019, de Saul\u00e9 Bliuvait\u00e9 y \u2018On Becoming a Guinea Fowl\u2019, de Rungano Nyoni."}