{"version":"1.0","provider_name":"Filmtopia","provider_url":"https:\/\/filmtopia.net\/es\/","author_name":"aleix","author_url":"https:\/\/filmtopia.net\/es\/author\/aleix\/","title":"Candela Sotos: La memoria rizom\u00e1tica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"dt11ydr2a1\"><a href=\"https:\/\/filmtopia.net\/es\/entrevista-candela-sotos\/\">La memoria rizom\u00e1tica<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmtopia.net\/es\/entrevista-candela-sotos\/embed\/#?secret=dt11ydr2a1\" width=\"600\" height=\"338\" title=\"\u00abLa memoria rizom\u00e1tica\u00bb \u2014 Filmtopia\" data-secret=\"dt11ydr2a1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/filmtopia.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2026\/01\/Candela-Sotos-Entrevista-horitzontal-1024x617.jpg","thumbnail_width":600,"thumbnail_height":573,"description":"\u201cYrup\u1ebd\u201d es la \u00f3pera prima de la artista visual y cineasta Candela Sotos: una obra que, entre la ciencia y el arte, plantea un ejercicio de memoria hist\u00f3rica y personal a trav\u00e9s de la reivindicaci\u00f3n de Guillermo Fern\u00e1ndez-Z\u00fa\u00f1iga, t\u00edo abuelo de la directora y pionero del cine cient\u00edfico en Espa\u00f1a, exiliado en Argentina durante la Guerra Civil. Desde su estreno en la 70.\u00aa Seminci, el film ha cosechado grandes reconocimientos. Hablamos con Candela Sotos durante su paso por Novos Cinemas (Festival Internacional de Cinema de Pontevedra), donde recibi\u00f3 el premio de la secci\u00f3n Latexos."}