{"version":"1.0","provider_name":"Filmtopia","provider_url":"https:\/\/filmtopia.net\/es\/","author_name":"aleix","author_url":"https:\/\/filmtopia.net\/es\/author\/aleix\/","title":"Ulrike Ottinger. Una cineasta radicalmente libre","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"03uvMQL4OC\"><a href=\"https:\/\/filmtopia.net\/es\/entrevista-ulrike-ottinger\/\">Una cineasta radicalmente libre<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmtopia.net\/es\/entrevista-ulrike-ottinger\/embed\/#?secret=03uvMQL4OC\" width=\"600\" height=\"338\" title=\"\u00abUna cineasta radicalmente libre\u00bb \u2014 Filmtopia\" data-secret=\"03uvMQL4OC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/filmtopia.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2026\/01\/Ulrike-Ottinger-Entrevista-horitzontal-1024x617.jpg","thumbnail_width":600,"thumbnail_height":901,"description":"La und\u00e9cima edici\u00f3n de los Manifiestos F\u00edlmicos Feministas, programada por la Mostra Internacional de Films de Dones de Barcelona, reuni\u00f3, en una jornada hist\u00f3rica, a las tres personas que han realizado adaptaciones cinematogr\u00e1ficas de \u201cOrlando\u201d, la inmortal obra de Virginia Woolf. Una de ellas es Ulrike Ottinger, con quien hablamos sobre \u201cFreak Orlando\u201d y tambi\u00e9n sobre su nueva pel\u00edcula, que se estrenar\u00e1 en 2026."}