{"version":"1.0","provider_name":"Filmtopia","provider_url":"https:\/\/filmtopia.net\/es\/","author_name":"aleix","author_url":"https:\/\/filmtopia.net\/es\/author\/aleix\/","title":"Reportaje: Oc\u00e9anos de ira: La mirada feminista en el \u2018slasher\u2019","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"tGYyor4seg\"><a href=\"https:\/\/filmtopia.net\/es\/reportaje-oceanos-de-ira\/\">Oc\u00e9anos de ira \u2013 La mirada feminista en el \u2018slasher\u2019<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/filmtopia.net\/es\/reportaje-oceanos-de-ira\/embed\/#?secret=tGYyor4seg\" width=\"600\" height=\"338\" title=\"\u00abOc\u00e9anos de ira \u2013 La mirada feminista en el \u2018slasher\u2019\u00bb \u2014 Filmtopia\" data-secret=\"tGYyor4seg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/filmtopia.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/07\/0-T-Blockerss.jpg","thumbnail_width":1536,"thumbnail_height":864,"description":"El estreno del \u2018remake\u2019 de \u2018S\u00e9 lo que hicist\u00e9is el \u00faltimo verano\u2019, dirigido por Jennifer Kaytin Robinson, presenta la oportunidad de hacer una revisi\u00f3n del slasher como g\u00e9nero tradicionalmente dominado por la mirada masculina y su subversi\u00f3n por parte de cineastas mujeres a lo largo de distintas d\u00e9cadas."}