{"id":19952,"date":"2025-10-30T22:00:20","date_gmt":"2025-10-30T22:00:20","guid":{"rendered":"https:\/\/filmtopia.net\/?p=19952"},"modified":"2025-10-30T16:41:16","modified_gmt":"2025-10-30T16:41:16","slug":"critica-the-mastermind","status":"publish","type":"post","link":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/","title":{"rendered":"The Mastermind: Atraco imperfecto"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":6,"featured_media":19938,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[178,170,2347,406,179],"autor":[468],"credit":[463],"festivals":[],"film-year":[2578],"seccions":[88],"temps":[89],"top":[425],"class_list":["post-19952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica-es","category-directoras","category-drama","category-kelly-reichardt-es","category-pelicula","autor-maria-adell-carmona-es","credit-critica-es","film-year-2578","seccions-films-es","temps-presente","top-top-10-internacionales"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cr\u00edtica: The Mastermind: Atraco imperfecto &#8211; Filmtopia<\/title>\n<meta name=\"description\" content=\"\u2018The Mastermind\u2019, una antipel\u00edcula de robos ambientada en la d\u00e9cada de los setenta e interpretada por Josh O\u2019Connor, se estrena esta semana\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica: The Mastermind: Atraco imperfecto\" \/>\n<meta property=\"og:description\" content=\"Las admiradoras de la norteamericana Kelly Reichardt (First Cow, Certain Women), una de las cineastas m\u00e1s importantes de las \u00faltimas tres d\u00e9cadas, estamos de enhorabuena. Su anterior pel\u00edcula, \u2018Showing Up\u2019 (2022), no se estren\u00f3 en Espa\u00f1a, pero \u2018The Mastermind\u2019, una antipel\u00edcula de robos ambientada en la d\u00e9cada de los setenta e interpretada por el omnipresente Josh O\u2019Connor, se estrena esta semana tras competir en la secci\u00f3n oficial del pasado Festival de Cannes.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/\" \/>\n<meta property=\"og:site_name\" content=\"Filmtopia\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/people\/Filmtopia\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-30T22:00:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/10\/THE_MASTERMIND_OS_ES-ES_Oct31-203x300.jpg\" \/>\n<meta name=\"author\" content=\"aleix\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"aleix\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/\"},\"author\":{\"name\":\"aleix\",\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/#\\\/schema\\\/person\\\/94399ec91c54729105f4c2ef406f5e5e\"},\"headline\":\"The Mastermind: Atraco imperfecto\",\"datePublished\":\"2025-10-30T22:00:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/\"},\"wordCount\":6,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/filmtopia.net\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/THE_MASTERMIND_OS_ES-ES_Oct31.jpg\",\"articleSection\":[\"CR\u00cdTICA\",\"DIRECTORAS\",\"Drama\",\"Kelly Reichardt\",\"PEL\u00cdCULA\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/\",\"url\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/\",\"name\":\"Cr\u00edtica: The Mastermind: Atraco imperfecto &#8211; Filmtopia\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/filmtopia.net\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/THE_MASTERMIND_OS_ES-ES_Oct31.jpg\",\"datePublished\":\"2025-10-30T22:00:20+00:00\",\"description\":\"\u2018The Mastermind\u2019, una antipel\u00edcula de robos ambientada en la d\u00e9cada de los setenta e interpretada por Josh O\u2019Connor, se estrena esta semana\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/#primaryimage\",\"url\":\"https:\\\/\\\/filmtopia.net\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/THE_MASTERMIND_OS_ES-ES_Oct31.jpg\",\"contentUrl\":\"https:\\\/\\\/filmtopia.net\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/THE_MASTERMIND_OS_ES-ES_Oct31.jpg\",\"width\":1350,\"height\":2000,\"caption\":\"The Mastermind\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/critica-the-mastermind\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inici\",\"item\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/home\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Mastermind: Atraco imperfecto\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/\",\"name\":\"Filmtopia\",\"description\":\"La primera web especialitzada en cinema fet per dones\",\"publisher\":{\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/#organization\",\"name\":\"Filmtopia\",\"url\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/filmtopia.net\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/cropped-Group-813.png\",\"contentUrl\":\"https:\\\/\\\/filmtopia.net\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/cropped-Group-813.png\",\"width\":512,\"height\":512,\"caption\":\"Filmtopia\"},\"image\":{\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/people\\\/Filmtopia\\\/\",\"https:\\\/\\\/www.instagram.com\\\/filmtopia_net\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/#\\\/schema\\\/person\\\/94399ec91c54729105f4c2ef406f5e5e\",\"name\":\"aleix\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/fc23f76ada3c47b3c6b7e70d3e663c6f80d2966815e2566de077c9b383898212?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/fc23f76ada3c47b3c6b7e70d3e663c6f80d2966815e2566de077c9b383898212?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/fc23f76ada3c47b3c6b7e70d3e663c6f80d2966815e2566de077c9b383898212?s=96&d=mm&r=g\",\"caption\":\"aleix\"},\"url\":\"https:\\\/\\\/filmtopia.net\\\/es\\\/author\\\/aleix\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cr\u00edtica: The Mastermind: Atraco imperfecto &#8211; Filmtopia","description":"\u2018The Mastermind\u2019, una antipel\u00edcula de robos ambientada en la d\u00e9cada de los setenta e interpretada por Josh O\u2019Connor, se estrena esta semana","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/","og_locale":"es_ES","og_type":"article","og_title":"Cr\u00edtica: The Mastermind: Atraco imperfecto","og_description":"Las admiradoras de la norteamericana Kelly Reichardt (First Cow, Certain Women), una de las cineastas m\u00e1s importantes de las \u00faltimas tres d\u00e9cadas, estamos de enhorabuena. Su anterior pel\u00edcula, \u2018Showing Up\u2019 (2022), no se estren\u00f3 en Espa\u00f1a, pero \u2018The Mastermind\u2019, una antipel\u00edcula de robos ambientada en la d\u00e9cada de los setenta e interpretada por el omnipresente Josh O\u2019Connor, se estrena esta semana tras competir en la secci\u00f3n oficial del pasado Festival de Cannes.","og_url":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/","og_site_name":"Filmtopia","article_publisher":"https:\/\/www.facebook.com\/people\/Filmtopia\/","article_published_time":"2025-10-30T22:00:20+00:00","og_image":[{"url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/10\/THE_MASTERMIND_OS_ES-ES_Oct31-203x300.jpg","type":"","width":"","height":""}],"author":"aleix","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"aleix","Tiempo de lectura":"8 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/#article","isPartOf":{"@id":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/"},"author":{"name":"aleix","@id":"https:\/\/filmtopia.net\/es\/#\/schema\/person\/94399ec91c54729105f4c2ef406f5e5e"},"headline":"The Mastermind: Atraco imperfecto","datePublished":"2025-10-30T22:00:20+00:00","mainEntityOfPage":{"@id":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/"},"wordCount":6,"commentCount":0,"publisher":{"@id":"https:\/\/filmtopia.net\/es\/#organization"},"image":{"@id":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/#primaryimage"},"thumbnailUrl":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/10\/THE_MASTERMIND_OS_ES-ES_Oct31.jpg","articleSection":["CR\u00cdTICA","DIRECTORAS","Drama","Kelly Reichardt","PEL\u00cdCULA"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/filmtopia.net\/es\/critica-the-mastermind\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/","url":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/","name":"Cr\u00edtica: The Mastermind: Atraco imperfecto &#8211; Filmtopia","isPartOf":{"@id":"https:\/\/filmtopia.net\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/#primaryimage"},"image":{"@id":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/#primaryimage"},"thumbnailUrl":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/10\/THE_MASTERMIND_OS_ES-ES_Oct31.jpg","datePublished":"2025-10-30T22:00:20+00:00","description":"\u2018The Mastermind\u2019, una antipel\u00edcula de robos ambientada en la d\u00e9cada de los setenta e interpretada por Josh O\u2019Connor, se estrena esta semana","breadcrumb":{"@id":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/filmtopia.net\/es\/critica-the-mastermind\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/#primaryimage","url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/10\/THE_MASTERMIND_OS_ES-ES_Oct31.jpg","contentUrl":"https:\/\/filmtopia.net\/wp-content\/uploads\/2025\/10\/THE_MASTERMIND_OS_ES-ES_Oct31.jpg","width":1350,"height":2000,"caption":"The Mastermind"},{"@type":"BreadcrumbList","@id":"https:\/\/filmtopia.net\/es\/critica-the-mastermind\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Inici","item":"https:\/\/filmtopia.net\/es\/home\/"},{"@type":"ListItem","position":2,"name":"The Mastermind: Atraco imperfecto"}]},{"@type":"WebSite","@id":"https:\/\/filmtopia.net\/es\/#website","url":"https:\/\/filmtopia.net\/es\/","name":"Filmtopia","description":"La primera web especialitzada en cinema fet per dones","publisher":{"@id":"https:\/\/filmtopia.net\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/filmtopia.net\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/filmtopia.net\/es\/#organization","name":"Filmtopia","url":"https:\/\/filmtopia.net\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/filmtopia.net\/es\/#\/schema\/logo\/image\/","url":"https:\/\/filmtopia.net\/wp-content\/uploads\/2024\/02\/cropped-Group-813.png","contentUrl":"https:\/\/filmtopia.net\/wp-content\/uploads\/2024\/02\/cropped-Group-813.png","width":512,"height":512,"caption":"Filmtopia"},"image":{"@id":"https:\/\/filmtopia.net\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/people\/Filmtopia\/","https:\/\/www.instagram.com\/filmtopia_net\/"]},{"@type":"Person","@id":"https:\/\/filmtopia.net\/es\/#\/schema\/person\/94399ec91c54729105f4c2ef406f5e5e","name":"aleix","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/fc23f76ada3c47b3c6b7e70d3e663c6f80d2966815e2566de077c9b383898212?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/fc23f76ada3c47b3c6b7e70d3e663c6f80d2966815e2566de077c9b383898212?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fc23f76ada3c47b3c6b7e70d3e663c6f80d2966815e2566de077c9b383898212?s=96&d=mm&r=g","caption":"aleix"},"url":"https:\/\/filmtopia.net\/es\/author\/aleix\/"}]}},"views":0,"_links":{"self":[{"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/posts\/19952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/comments?post=19952"}],"version-history":[{"count":2,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/posts\/19952\/revisions"}],"predecessor-version":[{"id":20028,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/posts\/19952\/revisions\/20028"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/media\/19938"}],"wp:attachment":[{"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/media?parent=19952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/categories?post=19952"},{"taxonomy":"autor","embeddable":true,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/autor?post=19952"},{"taxonomy":"credit","embeddable":true,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/credit?post=19952"},{"taxonomy":"festivals","embeddable":true,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/festivals?post=19952"},{"taxonomy":"film-year","embeddable":true,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/film-year?post=19952"},{"taxonomy":"seccions","embeddable":true,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/seccions?post=19952"},{"taxonomy":"temps","embeddable":true,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/temps?post=19952"},{"taxonomy":"top","embeddable":true,"href":"https:\/\/filmtopia.net\/es\/wp-json\/wp\/v2\/top?post=19952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}